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Joey Ramone - born Jeffrey Hyman on May 19, 1951 - died at New York-Presbyterian Hospital in Manhattan on Easter
Sunday, after a seven-year battle with cancer.He did not respond to treatment for lymphatic cancer, a disease that attacks
the body's ability to fight the infection. One of the last musicians to speak to him was U2 frontman Bono, a longtime
Ramones admirer, who called Joey in his hospital room on Good Friday. Joey wasn't able to say much, but according to Mickey,
"You could really see him perk up."
On Sunday, when Mickey and his mother got a call from the hospital to come in,
Mickey brought a copy of U2's album All That You Can't Leave Behind and slipped the CD into a little boom box in Joey's
room. The track he played was Bono's own "In a Little While," which Mickey felt was a very spiritual song:
In a
little while This hurt will hurt no more I'll be home, love
In a little while I won't be blown by every breeze Friday
night running to Sunday on my knees
When the song came to an end, Joey was gone. That night, at a concert in Portland,
Ore., U2 offered their audience a rendition of the Ramones' "I Remember You" ("a great, great love song," says Bono) and,
for Joey, the old hymn "Amazing Grace."
With his trademark rose-colored shades, black leather jacket, shoulder-length hair, ripped jeans and alternately snarling
and crooning, hiccoughing vocals, Joey was the iconic godfather of punk. He gave voice to some of the most revered songs in
the punk canon: "Blitzkrieg Bop", "Gimme Gimme Shock Treatment," "Rock 'n' Roll High School," "I Wanna Be Sedated", "Sheena
Is a Punk Rocker."
Born in the Forest Hills section of Queens, New York, on May 19, 1951, Joey founded the Ramones
in 1974 with Johnny, Dee Dee and Tommy. Originally the drummer, Joey switched to vocals two months after the band played it
first show in March 1974 at New York's Performance Studio.
The group soon became a staple at the dingy New York punk
club CBGB, home to fellow downtown bands Talking Heads, Patti Smith and Blondie. In 1975 the Ramones became the first punk
band to sign a record contract. Their self-titled debut, recorded for $6,000, was released in 1976 and featured such rock
landmarks as "Judy Is a Punk" , "Now I Wanna Sniff Some Glue" and "Beat on the Brat."
Their 1977 album Ramones
Leave Home featured a quintessential mix of gutter-punk anthems and homages to classic pop songs ("I Remember You," "Oh Oh
I Love Her So"). It also featured the unofficial Ramones anthem "Pinhead," in which Joey sang, "I don't want to be a Pinhead
no more/ I just found a nurse that I could go for."
The Ramones not only prodded bands such as the Sex Pistols, the
Clash and X-Ray Spex to take up their instruments and take on the world, but they also laid the path for the next generation
of new wave and punk bands to rock maximally with minimal flourish.
Inspired by the Ramones' wide-open subject matter
— which ranged from sniffing glue to male prostitution to lobotomies — as well as by the music, '80s bands such
as Hüsker Dü, the Replacements and Devo further exploded the notion of how rock could sound.
The Ramones released
Rocket to Russia, in 1977. Featuring such concert staples as "Cretin Hop," "Rockaway Beach" and "We're a Happy
Family." After trying their hands at the movies, starring in 1979's "Rock 'n' Roll High School," the group entered the
studio with one of their idols, '60s "wall of sound" producer Phil Spector. The resulting 1980 album, End of the Century,
included a cover of "Baby I Love You" by the Ronettes, who were fronted by one of Joey's favorite singers, Ronnie Spector
(Phil's ex-wife).
The group followed with 10 more studio albums of speedy, anti-social punk and a relentless touring
schedule, and enjoyed Beatlemania-style fame in Argentina and Japan.
Joey may have shared a last name with his bandmates,
but familial love couldn't keep them from their constant bickering, leading to the Ramones' dissolution in 1996. After the
group played its final show on August 9, 1996 — such fans as Pearl Jam's Eddie Vedder and Soundgarden's Chris Cornell
jammed with the Ramones that night — Joey continued to carry the torch for the music he loved.
In addition to
producing an EP and an album by horror-ska rockers the Independents — whom he tirelessly championed and managed for
much of the late '90s — Joey co-produced a 1999 EP by his idol Ronnie Spector.
The EP featured one of Joey's
most poignant tunes, "She Talks to Rainbows," a ballad he wrote for the Ramones' 1995 studio swan song, Adios Amigos!.
It was about a girl Joey would often see in his neighborhood, who he said looked like she was in her own world.
"She's
a little lost girl in her own little world/ She looks so happy, but seems so sad/ Oh yeah/ I'd like to help her/ I'd like
to try/ Oh yeah," Spector sang in her trademark yearning voice on the EP.
In addition to trying to help resurrect
the career of his hero Spector, Joey was working on his debut solo album over the past three years.
Collaborating
with long-time Ramones producer Daniel Rey, Ramone had written nearly 20 new tunes that he planned to record with a band that
included Andy (a.k.a. Adny) Shernoff of the punk group the Dictators, Cracker drummer Frank Funaro and Rey on guitar.
Joey
kept a low profile over the past few years, jumping onstage to belt out occasional Ramones songs at birthday parties in his
honor thrown by his punk-rocker friends in New York. In February 2000, he buried the hatchet with former Ramones drummer Marky
Ramone, recruiting Marky to play on a handful of his solo songs.
The Ramones , comprising Johnny Ramone (b. John Cummings, 8 October 1948, Long
Island, New York, USA; guitar), Dee Dee Ramone (b. Douglas Colvin, 18 September 1952, Fort Lee, Virginia, USA, d. 5 June 2002,
Hollywood, California, USA; bass, vocals) and Joey Ramone (b. Jeffrey Hyman, 19 May 1951, New York City, New York, USA, d.
15 April 2001, New York City, New York, USA; drums) made their debut at New York's Performance Studio on 30 March 1974. Two
months later manager Tommy Ramone (b. Tommy Erdelyi, 29 January 1952, Budapest, Hungary) replaced Joey on drums, who then
switched to vocals. The band's debut appearance in London in July 1976 influenced a generation of British punk
musicians, while Leave Home, which included "Suzy Is A Headbanger" and "Gimme Gimme Shock
Treatment", confirmed the sonic attack of its predecessor. Rocket To Russia was marginally
less frenetic as the band's novelty appeal waned, although "Sheena Is A Punk Rocker" gave them their first UK Top 30 hit in
1977.
In May 1978 Tommy Ramone left to pursue a career in production and former Richard Hell drummer Marc Bell (b. 15 July 1956),
remodelled as Marky Ramone, replaced him for Road To Ruin, as the band sought to expand their
appealing, but limited, style. They took a starring role in the trivial Rock 'n' Roll High School, a participation
that led to their collaboration with producer Phil Spector. The resultant release, End Of The Century,
was a curious hybrid, and while Johnny balked at Spector's laborious recording technique, Joey, whose penchant for girl-group
material gave the Ramones their sense of melody, was less noticeably critical. The album contained a sympathetic version of
the Ronettes' "Baby, I Love You", which became the band's biggest UK hit single when it reached the Top 10. The Ramones were
by now looking increasingly anachronistic, unable or unwilling to change. Pleasant Dreams,
produced by Graham Gouldman, revealed an outfit now outshone by the emergent hardcore acts they had inspired. However, Subterranean Jungle showed a renewed purpose that was maintained sporadically on Animal
Boy and Halfway To Sanity, and the single "Bonzo Goes To Bitburg", a hilarious riposte
to Ronald Reagan's ill-advised visit to a cemetery containing graves of Nazi SS personnel. Richie Ramone (b. Richie Reinhardt,
11 August 1957) occupied the drum stool from 1983 to 1987 before the return of Marky. Dee Dee, meanwhile, had adopted the
name Dee Dee King and left the band to pursue an ill-fated rap career.
They announced their final gig on 6 August 1996, a tearful event at The Palace club in Hollywood (captured on the
1997 live album). The following year the Ramones were inducted into the Rock And Roll Hall Of Fame.
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